For Piano Duo
I usually have a particular musician’s sound in mind when I compose. My aural model for this work is my dear friend and colleague (pictured with me above) Dr. Pamela Haynes. My favorite of Pam’s many strengths is her ability to “voice” well on piano. This means she approaches the music more linearly than chordally. Her hands make the piano sing and phrase more than percuss. Pam is also a fierce pedagogue. So, with Pam’s voicing and her love of teaching in mind, I set some clear parameters as I conceptualized this piece:
- Goal: Challenge advanced students to think both linearly and vertically. Create melodies and counter-melodies the pianists must pass back and forth seamlessly, while negotiating a backdrop of minimalist ostinato patterns. Require pianists to listen attentively and yield to one another expressively.
- Goal: Avoid running to my usual altered “color” tones by creating an extensive entirely diatonic piece. (That means zero altered tones; yea nary an accidental anywhere on the page. For me, this is a big challenge!)
The composition is entitled “Tapestry” because of the interweaving of melodic threads through a larger harmonic texture. Each movement is titled after two colored threads adjacent or near to one another on the color wheel (the way pianists sometimes sit when they play together), yet maintaining peculiar qualities all their own. My apologies for the clunky MIDI-rendered recordings below. They must suffice until more beautifully phrased, nuanced human recordings become available.
I. Sage and Ivory
II. Azure and Violet
III. Scarlet and Amber
I have to give credit to my daughter Abby (an art historian) who helped me identify specific color names for these movements based on my set goals, and my synesthesia (the topic of my blogpost “Confessions of a Synesthete”). It’s not as easy as it might seem. She is infinitely patient with my inability to describe what I hear and see vividly as color and texture in my head. In spite of my limited hue vocabulary, she offers thoughtful interpretations and translations for me. If you’re curious about synesthesia (or my own particular subset: chromesthesia, check out this linked article).